I'm a Musician from Sweden, Tinnitus Since 2014

BeepBeep

Member
Author
Sep 16, 2024
21
Tinnitus Since
2014
Cause of Tinnitus
Accident/loud noise
Hello everyone,

I'm a musician based in Sweden, and I've had tinnitus since 2014. I've been lurking here for a while, and it occurred to me that I should sign up to offer any advice that might be helpful. That's all!
 
Hello everyone,

I'm a musician based in Sweden, and I've had tinnitus since 2014. I've been lurking here for a while, and it occurred to me that I should sign up to offer any advice that might be helpful. That's all!
Hello and welcome. Could you share what event caused your tinnitus? Did it start suddenly or gradually? How would you describe its severity, frequency, and type? Do you hear it all the time, or only in certain places? Did you receive any early treatments? I would appreciate your response. Thank you!
 
Hello!

A big metal thing fell on another similarly sized metal object, and ever since, I've had high-pitched tinnitus. I hear it almost all the time, but it's not severe, and I've largely habituated to it over the years. However, it's become more noticeable now that I have a lot of free time. I made it worse once by ignoring the rule, "If it feels slightly too loud, it is," which kind of strained my hearing. Thankfully, it returned to normal after a long time, and I've been super vigilant since then.

Earplugs are a must in loud environments—no exceptions—and I always mix music at a low volume. I also use a treble filter on tracks when applicable, and I reduce a lot of treble when listening to music with headphones or in-ear monitors. This workaround has worked well for me.

I haven't tried any particular treatments. I know many people have it much worse than I do. I thought I could share some tips and tricks that have allowed me to continue playing and recording music. I've been through a few spikes, which were beyond scary, so if I can help someone by sharing my experience, I'm happy to do so. It's not groundbreaking advice, but who knows—it might help someone out there.
 
Hello!

A big metal thing fell on another similarly sized metal object, and ever since, I've had high-pitched tinnitus. I hear it almost all the time, but it's not severe, and I've largely habituated to it over the years. However, it's become more noticeable now that I have a lot of free time. I made it worse once by ignoring the rule, "If it feels slightly too loud, it is," which kind of strained my hearing. Thankfully, it returned to normal after a long time, and I've been super vigilant since then.

Earplugs are a must in loud environments—no exceptions—and I always mix music at a low volume. I also use a treble filter on tracks when applicable, and I reduce a lot of treble when listening to music with headphones or in-ear monitors. This workaround has worked well for me.

I haven't tried any particular treatments. I know many people have it much worse than I do. I thought I could share some tips and tricks that have allowed me to continue playing and recording music. I've been through a few spikes, which were beyond scary, so if I can help someone by sharing my experience, I'm happy to do so. It's not groundbreaking advice, but who knows—it might help someone out there.
This is actually really helpful to know. I've made the same mistake in the past: "This doesn't sound that loud anymore, let me turn it up a bit." It happens. I also mix my music at low volumes and have done so ever since I developed this issue.

I've never used a treble filter and am not sure how that would work, but it's probably a good idea to implement one so I don't listen to too many harsh tones while mixing. It's always fascinating for me to see how other musicians deal with this frustrating condition.
 
This is actually really helpful to know. I've made the same mistake in the past: "This doesn't sound that loud anymore, let me turn it up a bit." It happens. I also mix my music at low volumes and have done so ever since I developed this issue.

I've never used a treble filter and am not sure how that would work, but it's probably a good idea to implement one so I don't listen to too many harsh tones while mixing. It's always fascinating for me to see how other musicians deal with this frustrating condition.
An EQ on the main fader works well, or on drum tracks (cymbals especially). You can switch it on/off as needed. It works for me... thank God.
 

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